в PONS речника
re·cord·ing [rɪˈkɔ:dɪŋ, Am -ˈkɔ:rd-] СЪЩ
1. recording no pl (process):
2. recording:
3. recording ИКОН (in a register etc.):
4. recording ЮР (certification):
I. rec·ord СЪЩ [ˈrekɔ:d, Am -ɚd]
1. record of attendance:
2. record no pl (past history):
3. record (music):
4. record СПОРТ:
5. record ЮР (court report):
Phrases:
II. rec·ord ПРИЛ [ˈrekɔ:d, Am -ɚd] inv
III. rec·ord ГЛАГ прх [rɪˈkɔ:d, Am -ˈkɔ:rd] line breaks: re·cord
1. record (store):
2. record (register):
er·ror [ˈerəʳ, Am -ɚ] СЪЩ
1. error (mistake):
2. error (failure):
record СЪЩ
- records ntpl
-
error СЪЩ
"Банково дело, финанси, застрахователно дело"
record СЪЩ ACCOUNT
-
- Beleg м
record СЪЩ FINMKT
"Биология"
record ГЛАГ
error СЪЩ
-
- Regelgröße (Differenz zwischen Ist- und Sollwert)
Специализиран речник по транспорт
recording error TRAFFIC OBS, QUESTIONNAIRES, THEOR MODEL, APPRAIS
Специализиран речник по транспорт
Специализиран речник по транспорт
| I | record |
|---|---|
| you | record |
| he/she/it | records |
| we | record |
| you | record |
| they | record |
| I | recorded |
|---|---|
| you | recorded |
| he/she/it | recorded |
| we | recorded |
| you | recorded |
| they | recorded |
| I | have | recorded |
|---|---|---|
| you | have | recorded |
| he/she/it | has | recorded |
| we | have | recorded |
| you | have | recorded |
| they | have | recorded |
| I | had | recorded |
|---|---|---|
| you | had | recorded |
| he/she/it | had | recorded |
| we | had | recorded |
| you | had | recorded |
| they | had | recorded |
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Няма налични примерни изречения
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едноезични примери (не са проверени от PONS редакцията)
Centralized fire control followed in order to manage the information flow and calculations, but calculating the firing proved to be very complex and error prone.
en.wikipedia.org Jurisdiction is the authority to decide, and an error in this process is described as a jurisdictional error.
en.wikipedia.org And he said that those here (referring to the warrant) have spoken to the king in error.
en.wikipedia.org Usually we use a finite number of digits and accept an approximate answer with roundoff error.
en.wikipedia.org However, due to a clerical error at his local post office, his bid was accepted to work for $4 rather than the intended $400.
en.wikipedia.org Примери от интернет (не са проверени от PONS редакцията)
[...]
www.oehmsclassics.de The creative and sensual penetration into the world of the music of Dimitri Shostakovich, the individual mastery and the talent of each of the individual members of this excellent ensemble allow this recording to be numbered amongst the best interpretations ever of the music of my father. more
[...][...]
Das schöpferisch sinnliche Eindringen in die Welt der Musik Schostakowitschs, die individuelle Meisterschaft und das Talent jedes Mitglieds dieses vortrefflichen Ensembles erlauben es, diese Aufnahme zu den besten Interpretationen der Musik meines Vaters überhaupt zu zählen. mehr
[...][...]
www.networkmedien.de The intimate charm of those old recordings, some with larger orchestras and choirs, is a fantastic complement to the more recent releases on which her warm, fully matured voice gives expression to the joie de vivre of the archipelago in a touchingly poignant way.
[...][...]
Der intime Charme dieser alten Aufnahmen, teils mit größeren Orchestern und Chören eingespielt, passt fantastisch zu den jüngeren Veröffentlichungen, bei denen ihre warme Stimme voll ausgereift ist und das Lebensgefühl dieses Archipels auf rührige und berührende Art zum Ausdruck bringt.
[...][...]
festival.shortfilm.com His vehicle for this is a screen made of silk that he manipulates in the course of the performance and on which images of traditional mourning ceremonies, mathematical formulas, weather recordings, decay and empty living spaces collide.
[...][...]
Als Vehikel zur Reise dorthin dient Nussbaum eine Leinwand aus Seide, die er im Laufe der Performance manipuliert und auf der er Bilder von traditionellen Trauerzeremonien, mathematische Formeln, Aufnahmen von Wetter, Zerfall und leeren Wohnräumen aufeinanderprallen lässt.
[...][...]
art-report.com To illustrate this link between the disappearance of the hand and the elimination of the eye work Farocki uses recordings from research, from film archives and advertising departments, which he in many ways, and each refers compares.
[...][...]
Zur Veranschaulichung dieses Zusammenhangs zwischen dem Verschwinden der Handarbeit und einer Abschaffung der Augen-Arbeit benutzt Farocki Aufnahmen aus Forschungseinrichtungen, aus Filmarchiven und aus Werbeabteilungen, die er in vielfältiger Weise aufeinander bezieht und miteinander vergleicht.
[...][...]
www.meyersound.de With this recording, we returned to what some may consider the 'old school' recording style, where musicians play together in the same room, and listeners can trust that they are hearing the performance at its fullest—nothing more, nothing less."
[...]
Mit dieser Aufnahme, sind wir zu dem zurückgekehrt, was manche vielleicht als Aufnahme der „alten Schule“ bezeichnen würden, bei der Musiker zusammen im gleichen Raum spielen und der Zuhörer sicher sein kann, dass er die Darbietung in ihrer Gänze erlebt, nicht mehr und nicht weniger."