в PONS речника
ˈmys·tery play СЪЩ
в PONS речника
в PONS речника
I. play [pleɪ] СЪЩ
1. play no pl (recreation):
2. play no pl СПОРТ (game time):
3. play Am СПОРТ (move):
4. play ТЕАТ:
5. play no pl (change):
6. play (freedom):
7. play no pl (interaction):
9. play no pl (coverage):
II. play [pleɪ] ГЛАГ нпрх
1. play (amuse oneself):
2. play СПОРТ:
3. play actor:
5. play (move):
6. play (gamble):
7. play разг (be received):
Phrases:
III. play [pleɪ] ГЛАГ прх
1. play:
2. play (compete against):
3. play (strike):
4. play (adopt):
5. play (act):
6. play (function as):
7. play (perform):
8. play (perform on):
10. play MEDIA (listen to, watch):
11. play MEDIA (watch):
12. play MEDIA (broadcast):
13. play (gamble):
14. play (perpetrate):
15. play (direct):
16. play CARDS (show):
Phrases:
| I | play |
|---|---|
| you | play |
| he/she/it | plays |
| we | play |
| you | play |
| they | play |
| I | played |
|---|---|
| you | played |
| he/she/it | played |
| we | played |
| you | played |
| they | played |
| I | have | played |
|---|---|---|
| you | have | played |
| he/she/it | has | played |
| we | have | played |
| you | have | played |
| they | have | played |
| I | had | played |
|---|---|---|
| you | had | played |
| he/she/it | had | played |
| we | had | played |
| you | had | played |
| they | had | played |
PONS OpenDict
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Няма налични примерни изречения
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едноезични примери (не са проверени от PONS редакцията)
She feels guilty the next day and attempts to neglect calls and texts from the mystery man, who has bought her a new phone.
en.wikipedia.org The series' main plot revolves around the mystery of her death.
en.wikipedia.org Both assist you in solving mysteries, each in their own way.
en.wikipedia.org Newspapers are in the business to sell newspapers, and people love a mystery.
en.wikipedia.org And that was the last anyone ever heard of a possible resolution to the mystery.
en.wikipedia.org Примери от интернет (не са проверени от PONS редакцията)
[...]
www.orff.de Against the background of the historical genre of the mystery play, Orff provides an extremely personal answer to the crucial question of the end of time and the world in which the question of the origin of evil finds its opposite number in the question: where is evil going? [ 3 ]
[...]
Auf dem gattungsgeschichtlichen Hintergrund des Mysterienspiels gibt Orff eine sehr persönliche Antwort auf die Kernfrage nach dem Ende von Zeit und Welt, in der die Frage nach der Herkunft des Bösen ihr Pendant findet in der Frage: Wohin geht das Böse? [ 3 ]
[...]
www.goldenerhirsch.com In 1920, stage director Max Reinhardt declared the whole city of Salzburg a stage and put the medieval mystery play of the Jedermann in a textually amended version of Hugo von Hofmannsthal, co-founder of the Salzburg Festival, on the Cathedral Square.
[...][...]
Regisseur Max Reinhardt erklärte 1920 die ganze Stadt Salzburg zur Bühne und inszenierte am Domplatz das mittelalterliche Mysterienspiel des Jedermann in einer textlichen Neufassung von Hugo von Hofmannsthal, Mitbegründer der Salzburger Festspiele.
[...][...]
www.moers-festival.de A Mystery Play in 11 strophes concerning the life, work and philosophy of 12th Century composer, healer and visionary mystic Hildegard von Bingen.
[...][...]
Ein Mysterienspiel in 11 Strophen um das Leben und Schaffen der Komponistin, Heilerin und Visionärin des 12. Jahrhunderts, Hildegard von Bingen.
[...][...]
www.siemens.at Christian Stückl´s acclaimed new production of Jedermann broke with some of the long-established Salzburg performance traditions, emphasizing the Christian foundation of the mystery play:
[...][...]
Christian Stückls gepriesene Neudeutung des Jedermann bricht mit einigen Gepflogenheiten der langjährigen Salzburger Aufführungstradition und arbeitet den christlichen Grundgedanken des Mysterienspiels prägnant heraus:
[...][...]
www.musicaneo.com The first liturgical dramas and mystery plays were created, which, subsequently, were performed outside of the clerical context.
[...][...]
Es entstanden die ersten liturgischen Dramen und Mysterienspiel, die in der Folge auch ausserhalb des kirchlichen Umfeldes aufgeführt wurden.
[...]