Abends zeigt er illegal alte Klassiker auf seinem Hausdach.
Als Yakuzas eine Schuld einfordern, die seinen Bruder das Leben kostete, erweist er seiner Filmleidenschaft die Ehre und mutiert zum menschlichen Punching-Ball.
Erstmals sehen wir Japan aus der Sicht eines iranischen Regisseurs, mit Beihilfe von lokalen Grössen wie Shinji Aoyama ( Eureka ), der am Drehbuch mitschrieb.
www.fiff.chDuring the day he screams out his frustration at the streets of Tokyo, and at night he illegally screens classics on the roof of his apartment building.
And when some yakuzas demand that he pay back a debt that cost his brother his life, he decides to honour his love of film by becoming a human punching-ball.
This is the first time that an Iranian director films Japan with the best local artists, among whom is Shinji Aoyama ( Eureka 2000 ), who co-wrote the script.
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